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Steiner có hai bài viết trên tờ
The New Yorker,
[sau in lại trong
Steiner @ The New Yorker] về văn học Nga, thật tuyệt. Một, “De
Profundis”, về Gulag, và một về Solz và những nhà văn Nga khác: Dưới
cái
nhìn Ðông phương, Under Eastern Eyes.
Steiner viết, những đòi hỏi của
Solz, ở những người Nga đọc lén
lút ông [bao nhiêu độc giả?], và khối độc giả bao la ở Tây Phương, thì
thật là
dữ dằn, nghiệt ngã. Ông biết, và coi khinh sự đáp ứng dễ dãi của người
đọc Tây
Phương, và cái khiếu thưởng ngoạn về sự khổ đau ở xa, distant
suffering, của
họ. Ông rành chúng ta, hơn là chúng ta rành ông. Và như thế, ông là một
tác giả
hướng ngoại, a searcher-out, một thứ chó săn ăn tìm sự yếu ớt về thể
xác của
con người. Và, vẫn như thế, ông là 1 tác giả gây bực.
Every time a
human being is flogged, starved, deprived of self-respect, a specific
black
hole opens in the fabric of life. It is an additional obscenity to
depersonalize
inhumanness, to blanket the irreparable fact of individual agony with
anonymous
categories of statistical analysis, historical theory, or sociological
model-building. Consciously or not, anyone who offers a diagnostic
explanation,
however pious, or even condemnatory, erodes, smoothes toward oblivion,
the
irremediable concreteness of the death by torture of this man or that
woman, of
the death by hunger of this child. Solzhenitsyn is obsessed by the
holiness of
the minute particular. As happens with Dante and Tolstoy, proper names
cascade
from his pen. He knows that if we are to pray for the tortured dead, we
must
commit to memory and utter their names, by the million, in an incessant
requiem
of nomination.
Mỗi một
sự sỉ
nhục, mỗi một sự tra tấn giáng lên một con người là một trường hợp
riêng lẻ
không thể giản đơn và không thể đền bù được . Mỗi khi con người bị đánh
đập, bị
bỏ đói, bị tước đoạt nhân phẩm thì một lỗ hổng đen ngòm lại mở toạc ra
trên tấm
dệt đời. Đây là một sự bẩn thỉu bồi thêm, làm cho sự phi nhân không còn
có tính
cá biệt, và phủ lên sự vô phương sửa chữa, về cơn hấp hối của từng cá
nhân, bằng
đủ thứ phạm trù vô danh về nghiên cứu thống kê, về lý thuyết lịch sử,
hay xây dựng
mẫu mã xã hội. Cố ý hay không, bất cứ người nào tìm cách đưa ra một lời
giải
thích chẩn đoán, dù có đầy thiện ý cách nào, hoặc ngay cả chỉ trích đi
nữa,
cũng làm tiêu hao, bào nhẵn đến gần như quên béng đi tính cách cụ thể
không
thay đổi được về cái chết do sự tra tấn của ông này, bà kia, hoặc cái
chết vì
đói khát của em bé nọ. Solz. bị ám ảnh
bởi sự linh thiêng của khoảnh khắc đặc biệt, dị thường. Như đã từng xẩy
ra với
Dante, và Tolstoy, tên riêng của con người trào ra như thác dưới ngòi
viết của ông.
Ông biết, nếu chúng ta cầu nguyện cho những người chết vì tra tấn,
chúng ta phải
nhập tâm và thốt lên tên của họ, trong dòng kinh cầu hồn không ngừng,
từng tên
một, hàng triệu tên.
DE PROFUNDIS
THE
EXACTIONS ALEXANDER
Solzhenitsyn makes of his clandestine readers in the Soviet Union (how many are there?) and of his
vast Western public have a
shrewd ferocity. He knows and despises the readiness of sympathetic
response in
his Western audience, the vaguely prurient appetite for distant
suffering. It
is not so much we who read Solzhenitsyn as it is he who reads us. As
Tolstoy
was during his later years, so Solzhenitsyn is a searcher-out, a
harrier of
men's debilities, and an embarrassment to the world.
Solzhenitsyn,
a theocratic anarchist, has little esteem for reason, particularly when
it
stems from the "intellectual," from the man who makes his more or
less mundane living by dispassion. In the presence of the inhuman,
reason is
often a small-indeed, a laughable-agent. It can also be subtly
self-flattering,
and Solzhenitsyn plays harshly on the facile "objectivity" of those
who would argue with him, who would try to be "reasonable" without
having been exposed to even a millimeter of the archipelago of pain.
What has
historical analysis to say in the presence of Solzhenitsyn's own
sufferings and
the cry he has sent through modern history? Each indignity visited upon
a human
being, each torture, is irreducibly singular and inexpiable. Every time
a human
being is flogged, starved, deprived of self-respect, a specific black
hole
opens in the fabric of life. It is an additional obscenity to
depersonalize
inhumanness, to blanket the irreparable fact of individual agony with
anonymous
categories of statistical analysis, historical theory, or sociological
model-building. Consciously or not, anyone who offers a diagnostic
explanation,
however pious, or even condemnatory, erodes, smoothes toward oblivion,
the
irremediable concreteness of the death by torture of this man or that
woman, of
the death by hunger of this child. Solzhenitsyn is obsessed by the
holiness of
the minute particular. As happens with Dante and Tolstoy, proper names
cascade
from his pen. He knows that if we are to pray for the tortured dead, we
must
commit to memory and utter their names, by the million, in an incessant
requiem
of nomination.
But
the mortal mind is so constructed that it cannot contain, in genuine
individuation, more than a thimbleful of known presences. At least
twenty
million men, women, and children were done to death in the Stalinist
purges. If
we possess a vivid inward perception, we can visualize, we can number,
and, in
some measure, we can identify with fifty persons, perhaps a hundred.
Beyond
that stretches the comfortable limbo of abstraction. So if we are to
understand
at all we must try to analyze, to classify, to put forward those
reveries of
reason which are called theories.
It
is a platitude older than Thucydides that in the exercise of political
power
the human species can and will turn to bestiality. Massacres have
punctuated
the millennia with strident monotony. The routine treatment of slaves,
of
familial dependents, of the crippled or the crazed in epochs and
societies we
now look back to as of eminent artistic, intellectual, or civic
splendor is
such as to numb the imagination. Oases of compassion were few and far
between.
(Hence the Christian promise of a compensating Heaven.) No one really
knows
whether or not grass did grow again where Genghis Khan had passed;
there was no
one left to look. Throughout large stretches of Central
Europe during the Thirty Years War, there were only wolves
left to
devour the wind.
But
there was an Indian summer, a relative armistice with history, in the
luckier
parts of Western Europe and the United States during much
of the eighteenth
century, and again between the close of the Napoleonic wars and 1914.
The
constant of savagery lay in the hands of specialized professional
armies and
had been exported to the frontier or the colonies. Voltaire was not a
naive
Utopian when he foresaw the disappearance of torture and mass reprisal
from
political life. The signs were positive. General Sherman's Hunnish
tactics
looked like an isolated, embarrassing atavism.
It
is the Armenian massacres of 1915-16 that are at once pivotal and
problematic.
Were they, as some have argued, a nightmarish epilogue to a long
history of
"barbarian" invasion and ravage, a throwback to the world of Attila?
Or were they, as others contend, the opening of the age of holocaust
and
genocide? And what, if any, are the psychological and technical links
between
the deliberate murder of one million Armenians by the Turks and the
exactly
contemporary hecatombs on the Western front? Whatever the diagnosis,
the
overwhelming fact was that political, nationalist man, equipped with
unprecedented weapons, had remembered or rediscovered the logic of
annihilation.
It
is according to this logic that we have conducted our affairs since.
The logic
has entailed the insanity of mass homicide from 1914 to 1918 (almost
three-quarters of a million at Verdun
alone), the eradication of civilian sites and peoples, the planned
poisoning of
the natural environment, the wanton killing of animal species, and the
Nazi
murder of Jews and Gypsies. Today, this same logic entails the
cold-blooded
eradication of native tribes throughout Amazonia, the ubiquity in Uruguay and Argentina
of a degree of torture
and terror which matches anything known of Stalin's thugs and the
Gestapo.
Today, at this minute, it is a logic that underwrites the suicidal
bloodletting
in Cambodia.
The Gulag has no real borders.
This
is not to diminish by one jot the specificity of Solzhenitsyn’s reports
from
Hell. But it is to ask in what ways the Soviet edifice of servitude and
degradation is or is not a segment of a more general catastrophe.
Solzhenitsyn
himself is not clear on this issue. The first two volumes of the Gulag
chronicle contained crassly peremptory asides on the distinctions to be
drawn
between Nazi and Stalinist practices. Solzhenitsyn made much of the
(undoubted)
truth that Stalin had slaughtered many millions more than had Hitler.
(At full
tide, as Robert Conquest has shown in his classic studies, the Soviet
camps
comprised some eight million inmates.) Solzhenitsyn even advanced the
supposition that the Gestapo tortured to elicit the "facts," whereas
the Russian secret police tortured to produce false witness. No such
vulgarities mar this third volume, The Gulag Archipelago Three (Harper
&
Row), but Solzhenitsyn remains undecided as to where and how the Gulag
fits
into the texture of Russian history and of the Russian temper. At some
points,
he voices the belief that oppression from above and obeisance to brute
authority by the great mass of the population characterize the Russian
spirit.
But at other points he hammers at the specifically Bolshevik nature of
the
regime of terror, a regime initiated by Lenin, brought to lunatic
efficacy by
Stalin, and continuing in madness today on a less apocalyptic scale.
Solzhenitsyn frequently and sarcastically contrasts the relatively
benign
deviltries of the czarist punitive apparatus (as reported by Chekhov or
Dostoevsky) with the consuming bestiality of the Soviet solution.
If
Solzhenitsyn were to be asked whether the reversion of modern political
man to
mass torture, incarceration, and murder represents some general
phenomenon, or
whether each instance is an appalling singularity, he would, I imagine,
say
something like this: When mankind rejected the true meaning and urgency
of
Christ's example, when it turned to secular ideals and material hopes,
it
severed its history and political institutions from compassion, from
the
imperative of grace. A politics or a social bureaucracy divorced from
theological sanction has within it, ineluctably, the mechanics of
nihilism, of
self-destructive wantonness. The Gulag-planet, the ubiquity of torture
and
homicide in our public existence, is only the most dramatic, the most
shameless
manifestation of a pervasive inhumanity.
It
is this theological-penitential reading of man's condition which
underwrites
the most eccentric but also the most deeply felt of Solzhenitsyn's
dogmas: his
detestation of secular liberalism as it flows from the French
Revolution; his
distaste for the Jews, in whom he sees not merely the initial refuses
of Christ
but the radical libertarians whose restlessness culminates in Marxism
and
utopian socialism; his contempt for the "degenerate hedonism" and
conspicuous consumption in Western societies; his undisguised nostalgia
for the
theocratic aura of Orthodox-almost of Byzantine- Russia.
This
is an isolating, often maddening set of theses. It has against it an
alliance,
at once ludicrous and, to Solzhenitsyn, entirely natural, of the
K.G.B., Mrs.
Jimmy Carter (vide her attempt to rebut Solzhenitsyn's tirade at the
Harvard
commencement), and the Swiss tax authorities seeking to take their
tithe of the
royalties of their recent guest. Conjoined, these beliefs of
Solzhenitsyn make
for a "mystical" explanation of modern barbarism. It is an
explanation that is, by its very nature, impossible to prove or to
deny. But is
there a better one?
Many
have tried to find one. The late Hannah Arendt strove to locate the
roots of
modern totalitarianism in certain definite aspects of the evolution of
the
encompassing nation-state, and of the quality of economic and
psychological
collectivism after the Enlightenment. Others have seen in the
concentration and
death camps a final enactment, at once logical and parodist, of the
industrial
processes of assembly lines and standardization. I have put forward the
"working metaphor" whereby the erosion of God's presentences from
daily life and from the legitimacy of political power generated the
need to
institute a surrogate damnation on earth (a Hell above ground), this
surrogate
being the Nazi, the Soviet, the Chilean, and the Cambodian Gulags. But
none of
these hypotheses are really explanatory. What we are left with is the
central
fact: In a way and on a scale inconceivable to educated Western man
from, say,
Erasmus to Woodrow Wilson, we have reverted to or contrived a politics
of
torment and massacre. From this fact cries out the only question that
matters:
Can the infernal cycle be stopped?
Solzhenitsyn,
who has survived not only the Gulag but the cancer ward, is animated by
a
raging will. More, perhaps, than anyone since Nietzsche and Tolstoy, he
is
mesmerized by and master of the boundless resilience of the human
spirit. His
answer would be: Yes, it is possible to stop the juggernaut; it is
possible to
repudiate the banality of evil and to say no to those who would reduce
one to a
worker in the slaughterhouse. He would say-or should do so in the blaze
of his
own vision-that the United States
could halt the genocide in Amazonia, the sadistic circus in Argentina, the degradations in Chile
by
withdrawing from these grotesque regimes the investments, the corporate
interests, on whose largesse they operate. Solzhenitsyn can and must
proclaim
that the automatism of oppression can be arrested, because he has seen
it
arrested or, at least, ground to temporary impotence in the pits of
Hell
itself.
This
is the testimony of the final volume of the trilogy, with its
enthralling
record of camp uprisings, of escapes, of defiance by individuals and
groups of
victims. Solzhenitsyn records the forty magnificent days and nights of
the
revolt of May and June, 1954, in the Kengir camp. He tells the tale-it
is a
classic narrative-of Georgi P. Tenno, virtuoso escaper. In poignant
closing
chapters, he recalls his own resurrection from the house of the dead,
his own reentry,
at once agonizing
and joyous, into the habitual daylight of more or less normal, licensed
existence.
Yet
this colossus of a man, so markedly a stranger to common humanity, does
not end
his epic in consolation. After nine years of clandestine writing,
Solzhenitsyn
closes his trilogy on the grim notice that a century has passed since
the
invention of barbed wire. And he, who has seen, lived, recounted the
utmost of
resistance, of hope against Hell, implies that it is this invention
that will
continue to determine the history of modern man. There is in the
blackness of
this great fresco no touch more desperate.
Steiner:
September 4, 1978
[G. Steiner @ The New Yorker]
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