CARBON 

The reader, at this point, will have realized for some time now that this is not a chemical treatise: my presumption does not reach so far-"ma voix est foible, et même un peu profane." (1) Nor is it an autobiography, save in the partial and symbolic limits in which every piece of writing is autobiographical, indeed every human work; but it is in some fashion a history.
    It is-or would have liked to be-a micro-history, the history of a trade and its defeats, victories, and miseries, such as everyone wants to tell when he feels close to concluding the arc of his career, and art ceases to be long. Having reached this point in life, what chemist, facing the Periodic Table, or the monumental indices of Beilstein or Landolt, does not perceive scattered among them the sad tatters, or trophies, of his own professional past? He only has to leaf through any treatise and memories rise up in bunches: there is among us he who has tied his destiny, indelibly, to bromine or to propylene, or the -NCO group, or glutamic acid; and every chemistry student, faced by almost any treatise, should be aware that on one of those pages, perhaps in a single line, formula, or word, his future is written in indecipherable characters, which, however, will become clear "afterward": after success, error, or guilt, victory or defeat. Every no longer young chemist, turning again to the verhangnisvoll page in that same treatise, is struck by love or disgust, delights or despairs.
    So it happens, therefore, that every element says something to someone (something different to each) like the mountain valleys or beaches visited in youth. One must perhaps make an exception for carbon, because it says everything to everyone, that is, it is not specific, in the same way that Adam is not specific as an ancestor-unless one discovers today (why not?) the chemist-stylite who has dedicated his life to graphite or the diamond. And yet it is exactly to this carbon that I have an old debt, contracted during what for me were decisive days. To carbon, the element of life, my first literary dream was turned, insistently dreamed in an hour and a place when my life was not worth much: yes, I wanted to tell the story of an atom of carbon.
    Is it right to speak of a "particular" atom of carbon? For the chemist there exist some doubts, because until 1970 he did not have the techniques permitting him to see, or in any event isolate, a single atom; no doubts exist for the narrator, who therefore sets out to narrate.
*

Our character lies for hundreds of millions of years, bound to three atoms of oxygen and one of calcium, in the form of limestone: it already has a very long cosmic history behind it, but we shall ignore it. For it time does not exist, or exists only in the form of sluggish variations in temperature, daily or seasonal, if, for the good fortune of this tale, its position is not too far from the earth's surface. Its existence, whose monotony cannot be thought of without horror, is a pitiless alternation of hots and colds, that is, of oscillations (always of equal frequency) a trifle more restricted and a trifle more ample: an imprisonment, for this potentially living personage, worthy of the Catllolic Hell. To it, until this moment, the present tense is suited, which is that of description, rather than the past tense, which is that of narration-it is congealed in an eternal present, barely scratched by the moderate quivers of thermal agitation.
    But, precisely for the good fortune of the narrator, whose story could otherwise have come to an end, the limestone rock ledge of which the atom forms a part lies on the surface. It lies within reach of man and his pickax (all honor to the pickax and its modem equivalents; they are still the most important intermediaries in the millennial dialogue between the elements and man): at any moment-which I, the narrator, decide out of pure caprice to be the year 1840-a blow of the pickax detached it and sent it on its way to the lime kiln, plunging it into the world of things that change. It was roasted until it separated from the calcium, which remained so to speak with its feet on the ground and went to meet a less brilliant destiny, which we shall not narrate. Still firmly clinging to two of its three former oxygen companions, it issued from the chimney and took the path of the air. Its story, which once was immobile, now turned tumultuous.
    It was caught by the wind, flung down on the earth, lifted ten kilometers high. It was breathed in by a falcon, descending into its precipitous lungs, but did not penetrate its rich blood and was expelled. It dissolved three times in the water of the sea, once in the water of a cascading torrent, and again was expelled. It traveled with the wind for eight years: now high, now low, on the sea and among the clouds, over forests, deserts, and limitless expanses of ice; then it stumbled into capture and the organic adventure.
    Carbon, in fact, is a singular element: it is the only element 226 that can bind itself in long stable chains without a great expense of energy, and for life on earth (the only one we know so far) precisely long chains are required. Therefore carbon is the key element of living substance: but its promotion, its entry into the living world, is not easy and must follow an obligatory, intricate path, which has been clarified (and not yet definitively) only in recent years. If the elaboration of carbon were not a common daily occurrence, on the scale of billions of tons a week, wherever the green of a leaf appears, it would by full right deserve to be called a miracle.
    The atom we are speaking of, accompanied by its two satellites which maintained it in a gaseous state, was therefore borne by the wind along a row of vines in the year 1848. It had the good fortune to brush against a leaf, penetrate it, and be nailed there by a ray of the sun. If my language here becomes imprecise and allusive, it is not only because of my ignorance: this decisive event, this instantaneous work a tre-of the carbon dioxide, the light, and the vegetal greenery-has not yet been described in definitive terms, and perhaps it will not be for a long time to come, so different is it from that other "organic" chemistry which is the cumbersome, slow, and ponderous work of man: and yet this refined, minute, and quick-witted chemistry was "invented" two or three billion years ago by our silent sisters, the plants, which do not experiment and do not discuss, and whose temperature is identical to that of the environment in which they live. If to comprehend is the same as forming an image, we will never form an image of a happening* whose scale is a millionth of a millimeter, whose rhythm is a millionth of a second, and whose protagonists are in their essence invisible. Every verbal description must be inadequate, and one will be as good as the next, so let us settle for the following description.
    Our atom of carbon enters the leaf, colliding with other innumerable (but here useless) molecules of nitrogen and oxygen. It adheres to a large and complicated molecule that activates it, and simultaneously receives the decisive message from the sky, 

*English in original-TRANS.

 in the flashing form of a packet of solar light: in an instant, like an insect caught by a spider, it is separated from its oxygen, combined with hydrogen and (one thinks) phosphorus, and finally inserted in a chain, whether long or short does not matter, but it is the chain of life. All this happens swiftly, in silence, at the temperature and pressure of the atmosphere, and gratis: dear colleagues, when we learn to do likewise we will be sicut Deus, and we will have also solved the problem of hunger in the world.
    But there is more and worse, to our shame and that of our art. Carbon dioxide, that is, the aerial form of the carbon of which we have up till now spoken: this gas which constitutes the raw material of life, the permanent store upon which all that grows draws, and the ultimate destiny of all flesh, is not one of the principal components of air but rather a ridiculous remnant, an "impurity," thirty times less abundant than argon, which nobody even notices. The air contains 0.03 percent; if Italy was air, the only Italians fit to build life would be, for example, the fifteen thousand inhabitants of Milazzo in the province of Messina. This, on the human scale, is ironic acrobatics, a juggler's trick, an incomprehensible display of omnipotence-arrogance, since from this ever renewed impurity of the air we come, we animals and we plants, and we the human species, with our four billion discordant opinions, our millenniums of history, our wars and shames, nobility and pride. In any event, our very presence on the planet becomes laughable in geometric terms: if all of humanity, about 250 million tons, were distributed in a layer of homogeneous thickness on all the emergent lands, the "stature of man" would not be visible to the naked eye; the thickness one would obtain would be around sixteen thousandths of a millimeter.
    Now our atom is inserted: it is part of a structure, in an architectural sense; it has become related and tied to five companions so identical with it that only the fiction of the story permits me to distinguish them. It is a beautiful ring-shaped structure, an almost regular hexagon, which however is subjected to complicated exchanges and balances with the water in which it is dissolved; because by now it is dissolved in water, indeed in the sap of the vine, and this, to remain dissolved, is both the obligation and the privilege of all substances that are destined (I was about to say "wish") to change. And if then anyone really wanted to find out why a ring, and why a hexagon, and why soluble in water, well, he need not worry: these are among the not many questions to which our doctrine can reply with a persuasive discourse, accessible to everyone, but out of place here.
    It has entered to form part of a molecule of glucose, just to speak plainly: a fate that is neither fish, flesh, nor fowl, which is intermediary, which prepares it for its first contact with the animal world but does not authorize it to take on a higher responsibility: that of becoming part of a proteic edifice. Hence it travels, at the slow pace of vegetal juices, from the leaf through the pedicel and by the shoot to the trunk, and from here descends to the almost ripe bunch of grapes. What then follows is the province of the winemakers: we are only interested in pinpointing the fact that it escaped (to our advantage, since we would not know how to put it in words) the alcoholic fermentation, and reached the wine without changing its nature.
    It is the destiny of wine to be drunk, and it is the destiny of glucose to be oxidized. But it was not oxidized immediately: its drinker kept it in his liver for more than a week, well curled up and tranquil, as a reserve aliment for a sudden effort; an effort that he was forced to make the following Sunday, pursuing a bolting horse. Farewell to the hexagonal structure: in the space of a few instants the skein was unwound and became glucose again, and this was dragged by the bloodstream all the way to a minute muscle fiber in the thigh, and here brutally split into two molecules of lactic acid, the grim harbinger of fatigue: only later, some minutes after, the panting of the lungs was able to supply the oxygen necessary to quietly oxidize the latter. So a new molecule of carbon dioxide returned to the atmosphere, and a parcel of the energy that the sun had handed to the vine-shoot 229 passed from the state of chemical energy to that of mechanical energy, and thereafter settled down in the slothful condition of heat, warming up imperceptibly the air moved by the running and the blood of the runner. "Such is life," although rarely is it described in this manner: an inserting itself, a drawing off to its advantage, a parasitizing of the downward course of energy, from its noble solar form to the degraded one of low temperature heat. In this downward course, which leads to equilibrium and thus death, life draws a bend and nests in it.
    Our atom is again carbon dioxide, for which we apologize: this too is an obligatory passage; one can imagine and invent others, but on earth that's the way it is. Once again the wind, which this time travels far; sails over the Apennines and the Adriatic, Greece, the Aegean, and Cyprus: we are over Lebanon, and the dance is repeated. The atom we are concerned with is now trapped in a structure that promises to last for a long time: it is the venerable trunk of a cedar, one of the last; it is passed again through the stages we have already described, and the glucose of which it is a part belongs, like the bead of a rosary, to a long chain of cellulose. This is no longer the hallucinatory and geological fixity of rock, this is no longer millions of years, but we can easily speak of centuries because the cedar is a tree of great longevity. It is our whim to abandon it for a year or five hundred years: let us say that after twenty years (we are in 1868) a wood worm has taken an interest in it. It has dug its tunnel between the trunk and the bark, with the obstinate and blind voracity of its race; as it drills it grows, and its tunnel grows with it. There it has swallowed and provided a setting for the subject of this story; then it has formed a pupa, and in the spring it has come out in the shape of an ugly gray moth which is now drying in the sun, confused and dazzled by the splendor of the day. Our atom is in one of the insect's thousand eyes, contributing to the summary and crude vision with which it orients itself in space. The insect is fecundated, lays its eggs, and dies: the small cadaver lies in the undergrowth of the woods, it is emptied of its fluids, but the chitin carapace resists for a long time, almost indestructible. The snow and sun return above it without injuring it: it is buried by the dead leaves and the loam, it has become a slough, a "thing," but the death of atoms, unlike ours, is never irrevocable. Here are at work the omnipresent, untiring, and invisible gravediggers of the undergrowth, the microorganisms of the humus. The carapace, with its eyes by now blind, has slowly disintegrated, and the ex-drinker, excedar, ex-wood worm has once again taken wing.
    We will let it fly three times around the world, until 1960, and in justification of so long an interval in respect to the human measure we will point out that it is, however, much shorter than the average: which, we understand, is two hundred years. Every two hundred years, every atom of carbon that is not congealed in materials by now stable (such as, precisely, limestone, or coal, or diamond, or certain plastics) enters and reenters the cycle of life, through the narrow door of photosynthesis. Do other doors exist? Yes, some syntheses created by man; they are a title of nobility for man-the-maker, but until now their quantitative importance is negligible. They are doors still much narrower than that of the vegetal greenery; knowingly or not, man has not tried until now to compete with nature on this terrain, that is, he has not striven to draw from the carbon dioxide in the air the carbon that is necessary to nourish him, clothe him, warm him, and for the hundred other more sophisticated needs of modem life. He has not done it because he has not needed to: he has found, and is still finding (but for how many more decades?) gigantic reserves of carbon already organicized, or at least reduced. Besides the vegetable and animal worlds, these reserves are constituted by deposits of coal and petroleum: but these too are the inheritance of photosynthetic activity carried out in distant epochs, so that one can well affirm that photosynthesis is not only the sole path by which carbon becomes living matter, but also the sole path by which the sun's energy becomes chemically usable.
    It is possible to demonstrate that this completely arbitrary story is nevertheless true. I could tell innumerable other stories, and they would all be true: all literally true, in the nature of the transitions, in their order and data. The number of atoms is so great that one could always be found whose story coincides with any capriciously invented story. I could recount an endless number of stories about carbon atoms that become colors or perfumes in flowers; of others which, from tiny algae to small crustaceans to fish, gradually return as carbon dioxide to the waters of the sea, in a perpetual, frightening round-dance of life and death, in which every devourer is immediately devoured; of others which instead attain a decorous semi-eternity in the yellowed pages of some archival document, or the canvas of a famous painter; or those to which fell the privilege of forming part of a grain of pollen and left their fossil imprint in the rocks for our curiosity; of others still that descended to become part of the mysterious shape-messengers of the human seed, and participated in the subtle process of division, duplication, and fusion from which each of us is born. Instead, I will tell just one more story, the most secret, and I will tell it with the humility and restraint of him who knows from the start that his theme is desperate, his means feeble, and the trade of clothing facts in words is bound by its very nature to fail.
    It is again among us, in a glass of milk. It is inserted in a very complex, long chain, yet such that almost all of its links are acceptable to the human body. It is swallowed; and since every living structure harbors a savage distrust toward every contribution of any material of living origin, the chain is meticulously broken apart and the fragments, one by one, are accepted or rejected. One, the one that concerns us, crosses the intestinal threshold and enters the bloodstream: it migrates, knocks at the door of a nerve cell, enters, and supplants the carbon which was part of it. This cell belongs to a brain, and it is my brain, the brain of the me who is writing; and the cell in question, and within it the atom in question, is in charge of my writing, in a gigantic minuscule game which nobody has yet described. It is that which at this instant, issuing out of a labyrinthine tangle of yeses and nos, makes my hand run along a certain path on the paper, mark it with these volutes that are signs: a double snap, up and down, between two levels of energy, guides this hand of mine to impress on the paper this dot, here, this one.

 Primo Levi